Robert Viking O'Brien on Shakespeare, Movies, and Books
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Design for a Post-Apocalyptic Shakespeare Theater
In the post-apocalyptic world of Emily St. John Mandel's Station Eleven, a Shakespeare troupe wanders around Lake Michigan. If they were wandering northern California instead, they could stop in Oakland and use shipping containers to set up a permanent theater.
Here's a video about the perfect design, by Angus Vail:
For a description of the project, click here. For a TED talk by Vail, click here.
Though Hamlet's "To be or not to be" speech is his fourth soliloquy, many websites call it his third. They're skipping the twenty-line speech that follows his interview with the Ghost, which in my view is a particularly bad mistake since Hamlet's monomaniacal vow there is at the heart of his tragedy. The internet's cosmic sinkhole of misinformation will never be filled, but it's worth throwing some dirt in when we can, so here's an accurate list of Hamlet's soliloquies, with a short description of where they occur and what they say, along with a few observations.
Who does it best? Leonard Whiting and Olivia Hussey in Franco Zefirelli's 1968 film: Leslie Howard and Norma Shearer in George Cukor's 1936 version: Margot Fonteyn and Rudolf Nureyev in a 1966 performance of the balcony scene from Sergei Prokofiev's ballet (1935-36): (Alas, Fox has blocked Leonardo DiCaprio and Claire Danes's performance from Baz Luhrmann's 1996 film.) For a smackdown between actors speaking Hamlet's "To be or not to be" soliloquy, click here .