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As You Like It on YouTube

Olivier, Stewart, and Bergner in Czinner's As You Like It.
(Image from the British Film Institute)
1.2: The Wrestling Match
2.7: "All the World's a Stage"
  • Kevin Kline as Jaques, from Kenneth Branagh's 2006 film, with Brian Blessed as Duke Frederick and Duke Senior, Alfred Molina as Touchstone, Janet McTeer as Audrey, Adrian Lester as Oliver, Romola Garai as Celia, David Oyelowo as Orlando, and Bryce Dallas Howard as Rosalind. 
3.2: Orlando's Verses
  • From the BBC production: part one, part two
3.4-5: Phoebe and Silvius
4.1: Orlando and Rosalind (Playing Ganymede Playing "Rosalind")
5.1-2: Rosalind/Ganymede Makes Promises
5.4: The Conclusion
Other
  • Three trailers from an intriguing new adaptation being made in San Diego: one, two, and  three (with a rockabilly version of Amien's "Under the greenwood tree"). 
  • A cartoon version from the Leon Garfield adaptation: part one, part two, part three

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Accurate List of Hamlet's Soliloquies

Though Hamlet's "To be or not to be" speech is his fourth soliloquy, many websites call it his third. They're skipping the twenty-line speech that follows his interview with the Ghost, which in my view is a particularly bad mistake since Hamlet's monomaniacal vow there is at the heart of his tragedy.

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Shakespeare-Movie Soliloquies and Orson Welles's Chimes at Midnight

Directors usually handle Shakespearean soliloquies in three ways: (1) they have actors speak directly to the audience, as they would have on the Elizabethan stage; (2) they have actors speak to the air, as yammering on Bluetooth-enabled cellphones; or (3) they use a voice-over, as if we were wire-tapping the characters' brains.
Each strategy has its advantages.
Speaking directly to the audience works well for villains, who share their nasty schemes, preparing us to watch with horror as they dupe unknowing victims. The technique also allows for dark comedy: for example, Ian McKellan's Richard III and Harry J. Lennix's Aaron (in Julie Taymor's Titus) act as satanic stand-up comedians, terrifying us and making us laugh with the same speech.
Having actors talk to themselves produces a different effect, allowing us to pretend we're hearing a character's inward thoughts. This works in both comedies and tragedies. In a comedy, we laugh—or chuckle inwardly—when we hear Em…

Seven Hamlet Actors Duke It Out in a Theater Critic's Imagination

In today's New York Times, theater critic Ben Brantley writes that Benedict Cumberbatch, who next August begins playing Hamlet in the Barbican, must be thinking of the many great actors who have preceded him in playing the part on stage. Brantley goes on to imagine a "Battle of the Hamlets" between seven of these actors: John Barrymore, John Gielgud, Laurence Olivier, Richard Burton, David Warner, Mark Rylance, and Simon Russell Beale. (For a similar battle between four movie actors, click here.)