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Works Cited

Abercrombie, Joe. The Last Argument of Kings. Vol. 3 of The First Law. London: Orbit Books, 2015.

Booth, Wayne C. The Rhetoric of Fiction. University of Chicago Press, 1961.

Fitzgerald, Robert, trans. The Aeneid of Virgil. New York: Random House, 1981.

Garber, Marjorie. Shakespeare After All. New York: Random House, 2004.

Forster, E M. Aspects of the Novel. London: Arnold, 1961.

Geoffrey of Monmouth. The British History of Geoffrey of Monmouth: In Twelve Books. Trans. Aaron Thompson, and J A. Giles. London: J. Bohn, 1842.

Hunter, G. K. "Troilus and Cressida: A Tragic Satire." Shakespeare Studies 13 (1974-75): 1-25.

Lewis, C S. The Lion, the Witch and the Wardrobe. London: Collins, 1967.

Shakespeare. The Norton Shakespeare, Based on the Oxford Edition.  Edited by Stephen Greenblatt, Walter Cohen, Jean E. Howard, and Katharine Eisaman Maus. New York and London:  W. W. Norton and Company,  1997.

The Rose and the Globe: Playhouses of Shakespeare's Bankside, Southwark: Excavations 1988-91. Museum of London Archaeology, 2009.

St. Clare Byrne, M. "King Lear at Stratford-on-Avon, 1959." Shakespeare Quarterly. 11.2 (1960): 189-206.

Stubbes, George. The Anatomie of Abuses (London, 1595). Ed. Margaret Jane Kidnie. Tempe, AZ: Medieval and Renaissance Texts and Studies, 2002.

Taylor, Gary. Introduction. Henry V. The Oxford Shakespeare. Oxford: Oxford University Press, 1982. 1-75.


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Accurate List of Hamlet's Soliloquies

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Directors usually handle Shakespearean soliloquies in three ways: (1) they have actors speak directly to the audience, as they would have on the Elizabethan stage; (2) they have actors speak to the air, as if yammering on cellphones; or (3) they use a voice-over, as if we were wire-tapping the characters' brains.
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