PSH as an Elizabethan actor,
resting before a perfomance of Hamlet.
Stoppard wrote the fifteen-minute version earlier. As The Dogg's Troupe 15-Minute Hamlet, it was staged in 1976 by the Almost Free Theatre on a double-decker bus (Demastes 19). The 15-Minute Hamlet begins with Shakespeare speaking a prologue of Hamlet lines followed by an "Encore," a Hamlet so abridged that it's easily performed in fifteen minutes.
Bernardo: "Looks it
not like the king?"
Todd Luiso's 1995 film of the play reverses this arrangement, starting with the abridged Hamlet and ending with the prologue. The entire film takes fifteen minutes and uses the conceit that Shakespeare is making a Hamlet movie.
We begin with the actors and playwright waiting for the arrival of a roll of film. We see Philip Seymour Hoffman snoozing beneath a tree, the actress playing Gertude swigging from a flask, and poor Shakespeare tearing pages out of his play. When a messenger arrives with the film, we move inside a barn, something like Edison's Black Maria. The messenger hands the film to a cameraman, saying, "Remember, you have but one quarter-hour roll."
Horatio: "My lord,
I think I saw him yesternight."
The cameraman loads the film, turns the camera crank, and three long tracking shots take us through a hilariously abridged Hamlet. Afterwards we see Shakespeare at a private screening, where he's told, "the king requires adjustment in the film." Shakespeare edits his movie as he speaks the 15-Minute Hamlet's prologue. At a public screening his new, two-minute version is met with rapturous applause.
Laertes: "Hold off the earth awhile."
The shortened Hamlets are full of antic comic performances. Austin Pendleton as the prince is particularly funny as he runs rapidly through Hamlet's many moods: when his meditative "To be or not to be" soliloquy is interrupted by Todd Luiso's Ophelia, he suddenly shouts, "Get thee to a nunnery!" and shoves Luiso's head. Angie Phillips is also very funny as a tipsy Gertrude, guzzling the poisoned wine because she needs a drink.
forgiveness with me."
We first see Philip Seymour Hoffman as a slack-jawed, cockney Bernardo. He then appears as a breathy, velvet-hatted Horatio, interrupting Hamlet's first soliloquy by popping out from behind a painting, Laugh-In-style, to tell the prince he's seen Old Hamlet's ghost. As Laertes, Hoffman hams it up at Ophelia's grave and in the final scene, where playing both Laertes and Horatio becomes problematic since both characters are on stage. Hoffman handles this by falling out of the frame as Laertes dies, then coming back from the side, wearing his Horatio hat, for the "Good night, sweet prince" speech.
|Horatio: "Good night,|
Here's the film. You'll enjoy every one of its fifteen minutes.